Universal Declaration of Human Rights Series

Elegy series

About the Elegy Series

Robert Motherwell (American, 1915-1991) was an abstract expressionist painter who began his Elegy to the Spanish Republic series in 1948, creating over 100 works in the next nineteen years that express a lament over the brutal death of the Spanish Republic under the dictatorship of Fransisco Franco.

In his own Elegy series, Justin documents a dismantling of established American institutions and ideals in near real time by the current administration.

  • elegy no. 1 references the egg-and-dart motif of Motherwell, and is a monument to the general passing of veracity the public expects of its leaders.

  • elegy no. 2, created in the wake of President Volodymyr Zelenskyy’s visit to the Oval Office, depicts two Motherwell-inspired beings pulling at the labia of Ukraine, one with the land of Ukraine in its breast; the other, without.

  • elegy no. 3, made on the day of a Tesla commercial on the front lawn of the White House, signals a move away from Motherwell’s original series, while still referencing one of his paintings.

  • elegy no. 4, created at the time of a signing of an Executive Order calling for the dismantling of the U.S. Department of Education, is inspired by a sculpture by Jean Hans Arp. Its amorphous shape calling to mind the anomie Émile Durkheim described during a similar period of social and political instability - a sense of normlessness in times of chaos.

  • elegy no. 5 was created to commemorate the signing of an Executive Order calling for a Federalist take-over of elections and a requirement for proof-of-citizenship that will disenfranchise millions of American voters.

These prints are made with a Payne’s gray collagraph plates over neutral gray no. eight and then washed with a cobalt and ultramarine watercolor.

Poetry series

collage